Is 'Blue Beetle' Streaming on Netflix, Disney+, or Amazon Prime Video? Whoopi Goldberg Says Lizzo Trolls Are "Foolish" for Cruel Remarks About Singer's Body: "Send Them All to Hell" Michael Cera’s Viral Tony Soprano Impression Came Late in ‘The Adults’ Development 'Blind Side' Author Michael Lewis Says Michael Oher Should Be "Mad at Hollywood" - Not the Tuohys The Problematics: 'Debbie Does Dallas' and The Birth of a Porn Legend ![]() Where Is The 'No Hard Feelings' Beach Scene Set? Stream It Or Skip It: 'Tracy Morgan: Takin' It Too Far' On Max, The Comedian Falls Back On His Old Habits Stream It Or Skip It: 'Chris Fleming: HELL' On Peacock, An Internet Darling With A Warped Worldview So, in recognition of its resurrection (available on YouTube!) - and its impressively embattled history - The Thief and the Cobbler gets some serious honorary kudos.Stream It Or Skip It: ‘Puppy Love’ on Amazon Freevee, a Hacky Rom-Com That Piddles on the Carpet, To Our Unamusement Though some of its visuals are honestly breathtaking, each scene an explosion of complex geometry, the slapdash editing and sound work are hard to overlook.Īll is not lost, however: In 2006, Garret Gilchrist undertook " The Recobbled Cut," a fan labor of love that endeavored to restore the film as closely as possible to its former glory using all available scraps of the original animation - and, thankfully, he does a damn impressive job. Unfinished, the film plays like a clunkier, less-sensical Aladdin - the "Arabia" pastiche, the "beggar entangled in royal to-do" plot line, the evil vizier bent on a coup. But by 1992, they had wrested the project from his grasp, giving it instead to television animator Fred Calvert, who turned what was shaping up to be a Triplets of Belleville-esque art film into a more marketable Disney-style romp, complete with songs - and, in Miramax's 1995 reissue, a voice-over by Matthew Broderick. As legend has it, after over two decades of spotty production and limited financing, using his Roger Rabbit success, Williams was finally able to convince Warner Bros. A Troll in Central Park (1994, Don Bluth / Warner Bros.)Īnimation buffs - or, those hungry for a juicy moviemaking story - are likely well versed in the woe-begotten tale of The Thief and the Cobbler, the 28-year-long raison d'être of Who Framed Roger Rabbit animation director Richard Williams. So, cast aside your mouse ears, at least momentarily, and check 'em out: 12. Meanwhile, some names besides "Walt" start to enter the mix - from the prolific Don Bluth, who was personally responsible for a sizable chunk of this list, to Richard Williams, the obsessive genius behind one of moviemaking's greatest Sisyphean feats. Apparently, some stories just weren't quite meant for the Magic Kingdom. Still, it's perhaps telling that Anastasia's nemesis is a consistently rotting corpse, and The Great Mouse Detective achieved considerably less press than others surrounding it (see: The Little Mermaid). ![]() Of course, there are also plenty of princesses to be had herein (hi, Anastasia!), and Disney certainly had its darker moments (the toy factory from The Great Mouse Detectivewill never not haunt my dreams). Indeed, in revisiting these films, you start to notice a distinct and pervasive undercurrent of non-Disney-ness, a number of them creepier, zanier, even more visually complex than their song-studded House of Mouse contemporaries. In fact, a number of the most undeniably excellent late-20th-century animations were not Disney fare. However, as we of the Laser Disc players (slash, obsessive IMDb routine) know well, this couldn't be further from the truth. ![]() In the same way that "Kleenex" has become synonymous with "facial tissue" and "Coke" often acts a stand-in word for any brand of brown soda, the phrase "Disney movie" is often used interchangeably with "animated film" - to the point where it almost seems like Walt & Co.
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